It is optional to read before the story begins. The chapters can be enjoyed on their own, but if you ever find a word unfamiliar, you can return here.
The glossary will expand and update as the series continues. Use it as a guide to deepen your immersion into the world of Records of Immortality.
To avoid spoilers, terms will be added after they appear in the story.
Sadhana: The Artful Rebellion. It is the deliberate, systematic, and perilous path a mortal undertakes to ascend beyond their appointed station. To practice Sadhana is to declare war upon the very constitution of the mundane world—a defiance of the natural laws that decree decay, limitation, and a final, silent end. It is not mere prayer or ritual but a total alchemy of the soul, a forging of the will into a key meant to unlock gates never intended to be found. Its aim is singular and audacious: the attainment of Amartva—a state of immortality, not merely of the body, but of an awakened consciousness liberated from the wheel of cause and effect.
Sadhaka: The Aspirant. This is the being who has chosen to become the author of their own apotheosis. A Sadhaka is one who has heard the silent call of a higher potential and has stepped onto the path of Sadhana, knowing it admits no return. They are a living contradiction: a creature of flesh and blood engaged in the work of unmaking their own mortality. The title implies not a passive believer, but an active experimenter, a warrior whose battleground is their own inner cosmos. They are the architect and the construction site, the seeker and the path itself. Their life becomes a single-minded endeavor, a sustained act of will against the gravity of nature, striving to transform the base lead of mortal existence into the gold of the eternal.
You could be reading stolen content. Head to the original site for the genuine story.
Arishadvarga: The Six Enemies of the Mind (traditional concept). But, in my verse, it is called the Seven Enemies of the Mind.
The Seven Enemies of the Mind:
- Kama—Lust/Desire
- Krodha—Wrath/Anger
- Lobha—Greed
- Moha—Delusion (But here it symbolizes gluttony.)
- Mada—Pride/Arrogance
- Matsarya—Envy/Jealousy
- Alasya—Sloth/Laziness
Anupamah Siddhi—unique supernatural powers (Anupamah = unique, Siddhi = supernatural abilities)
Viksana—The Gazer’s Eye.
Ashan’s Anupamah Siddhi. A unique perception-based power that allows the user to directly observe information embedded within reality itself—status, condition, latent potential, and fragments of causality. Unlike conventional sensing techniques, Viksana does not rely on Prana or Atmic Urja alone, suggesting an unknown energy source.
The ability is incomplete and partially locked, evolving alongside the Sadhaka’s growth.
Mahanada—The Great Voice
Urja—it means 'energy.' There are two known energies: prana [life energy] and atmic [soul energy].
Chit Sagar—also known as the mind sea.
Muladhara chakra—also called the root chakra.
Prana—A refined form of life energy used primarily for kiriyas. While all Prana is Urja, not all Urja is Prana.
Atmic Urja—Energy derived from the soul. Primarily used for mantras.
Marga—A path of cultivation.
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Sharir Marga—Body-focused Sadhana (physical enhancement, endurance, and martial prowess).
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Atma Marga—Soul-focused Sadhana (perception, will, mantras, metaphysical control).
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Samyama Marga—The union of body and soul; the most demanding and dangerous path.
Kiriya—A structured martial technique powered by prana.
Kiriyas blend physical motion, breath control, and energy flow to produce enhanced strikes or effects
Mantra—A structured verbal or mental invocation that manipulates atmic through rhythm, sound, and intent. Mantras require precision; flawed casting results in backlash or energy loss.
Vestige—Residual power left behind after death.
Consuming a vestige grants growth but risks corruption, loss of identity, or psychological degradation.
A dark Vedic-mythic progression fantasy where Sadhana isn’t a path to glory… but a punishment the world forces on those born cursed.
“Heaven fears faith. Hell fears will. Existence fears Sadhana.”

