Festival

R O O K I E

— ope­ning: 6.12.2012, 18:00-22:00
— hours:
6.12.2012, 18:00 – 22:00
7.12.2012, 12:00 – 21:00
8.12.2012, 12:00 – 21:00

E X H I B I T I O N:

— MVP – MOST VALUABLE PUBLISHERS

cura­tor: Honza Zamojski
arti­sts: Tauba Auerbach, Cezary Bodzianowski, Christophe Boutin, Maurizio Cattelan, Aleš Čermák, David Horvitz, Brian Kennon, Rick Myers, Paulina Ołowska, Slavs and Tatars, Josh Smith, Tadej Pogačar, TTC (Emil Alsbo, Magnus F. Clausen and Simon H. Hansen)

Curatorial guided tour: 8.12.2012, 14:00
The exhi­bi­tion ope­ning will be accom­pa­nied by a pre­sen­ta­tion of the win­ning pro­ject in the com­pe­ti­tion: Jo-ey Tang’s – “The Manual”.
The exhi­bi­tion will be shown again in Arsenał City Gallery: 29.12.2012 – 13.01.2013

The sports ana­logy of the ROOKIE FESTIVAL is exten­ded thro­ugh to the MVP exhi­bi­tion, apply­ing the title to the Most Valuable Publishers on the mar­ket. The asses­sment isn’t an exag­ge­ra­tion as this the first Polish survey of dozens of publi­ca­tions from leading arti­sts as one col­lec­tive exhi­bi­tion. For these arti­sts, the book is an essen­tial ele­ment, for many even a key focus, of their arti­stic prac­tice. Featured works inc­lude the para-architectural objects of Tauba Auerbach and Josh Smith’s expe­ri­men­tal forms thro­ugh the con­cep­tual acti­vi­ties of David Horvitz and Rick Myers. At the event, each of the arti­sts will share their own cha­rac­te­ri­stic appro­ach to publi­shing. For some it pro­vi­des a space for con­cep­tual spe­cu­la­tion and for­mal play, for others it is an archive for ear­lier works. Some pur­sue the nobi­lity of the prin­ted page, others stretch the notion of the “book” and its audience, com­po­sing dia­lo­gues or acting as per­for­mers in the urban space, such as Aleš Čermák. At the same time, the publi­ca­tions bro­ught toge­ther by cura­tor Honza Zamojski at the show com­pose a uni­que col­lec­tion of his own publi­shing pro­jects, while giving an insi­ght into his arti­stic fasci­na­tions. The show also demon­stra­tes how books are an irre­vo­ca­ble part of the artist’s pre­sence, not only in the con­tem­po­rary art world, but also within the con­scio­usness of the public at large.

[Works in the show have been pro­vi­ded cour­tesy of the arti­sts and Foksal Gallery Foundation, Printed Matter Inc., Three Star Books]

B O O K   F A I R:

AKV [Berlin]
Archive Books [Berlin]
Bęc Zmiana [Warszawa]
Centrala Mądre Komiksy
DIK Fagazine [Warszawa]
Fundacja Sztuk Wizualnych [Kraków]
Arsenał City Gallery [Poznań]
Piekary Gallery [Poznań]
K Verlag [Berlin]
Korporacja Ha-Art [Kraków]
Kwartalnik Fotografia [Września]
Lubok [Lipsk]
Morava [Poznań]
Periodyk Najgorszy [Warszawa]
Piktogram / B.L.A [Warszawa]
Space Poetry [Kopenhaga]
Sputnik [Warszawa]
Sternberg Press [Berlin]
Trojka [Poznań]
Zakład Poligraficzny Moś i Łuczak [Poznań]

L E C T U R E S:

— 7 Dec, Friday

19.30, “lec­ture” hall., lec­ture con­duc­ted in English via Skype

David Senior – Some place: an intro­duc­tion to arti­sts’ publications

David Senior will discuss a history of expe­ri­men­tal books publi­shed by arti­sts’ and desi­gners. Using seve­ral exam­ples from his recent exhi­bi­tion pro­jects, Senior will intro­duce ideas of humor, resi­stance and inno­va­tion that mark these pro­jects as they form sin­gu­lar pla­ces for work to live and serve as nim­ble con­ta­iners in which ideas could travel.

David Senior is the Bibliographer at the Museum of Modern Art Library in New York. where he mana­ges the deve­lop­ment of the library’s col­lec­tion. His wri­ting has recen­tly appe­ared in “C Magazine”, “Frieze”, “Dot Dot Dot” and the “Bulletins of the Serving Library”. He cura­ted “Access to Tools: Publications from the Whole Earth Catalog, 1968-1974″ as part of the MoMA Library’s 2011 exhi­bi­tion pro­gram. In 2012, he orga­ni­zed two library exhi­bi­tions at MoMA, “Scenes from Zagreband Millennium Magazines” and assi­sted with the museum show, “Ecstatic Alphabets/Heaps of Language”. He also cura­tes an annual pro­gram of events for the New York Art Book Fair, cal­led “The Classroom”. Since 2008, this pro­gram has invo­lved over 100 per­for­man­ces, talks, scre­enings and concerts.

— 8 Dec, Saturday

16.00, “lec­ture” hall., lec­ture con­duc­ted in English.

Leah Whitman-Salkin – Sternberg Press by Sternberg Press

“Sternberg Press by Sternberg Press” is not a memoir but a report on the inter­nal life of the Berlin-based publi­shing house Sternberg Press. Presented thro­ugh the lens of the recen­tly publi­shed “The Mattering of Matter: Documents from the Archive of the International Necronautical Society” by Tom McCarthy and Simon Critchley, the prac­ti­ca­li­ties of art book publi­shing, at once pro­saic and opa­que, will be unpac­ked and scru­ti­ni­zed. Sternberg Press grew out of the small publi­shing house known as Lukas & Sternberg, foun­ded in 1999 by Caroline Schneider. Thirteen years later, the press has stayed dedi­ca­ted to cre­ating a plat­form where authors and arti­sts can engage in cri­ti­cal disco­urse. While still small in scale and hum­ble in its ambi­tions, Sternberg Press has grown and the pro­gram has expan­ded. The press’s edi­tor, Leah Whitman-Salkin, will map out the life of a pro­ject to pro­vide insi­ght into the edi­to­rial pro­ces­ses that lead to and faci­li­tate the making of books.

Leah Whitman-Salkin is an edi­tor at Sternberg Press and a pro­fes­sio­nal in the fields of con­tem­po­rary art, archi­tec­ture, and public discourse.

— 8 Dec, Saturday

18.00, “lec­ture” hall.,

Tribute to Black Art! – discussion

mode­ra­tor: Daniel Muzyczuk
par­ti­ci­pants: Magda Frankowska, Daniel Muzyczuk, Magda Popławska, Agata Szydłowska, Honza Zamojski

Following first ini­tia­ti­ves in the field of book publi­shing, arti­sts share their expe­rien­ces, aver­ring that the deci­sion to take up the ardu­ous effort to pro­duce an inde­pen­dent book was dri­ven by the desire to go bey­ond the scope of art and its com­mer­cial aspect or, which is more cha­rac­te­ri­stic for the for­mer eastern bloc, the attempt to cre­ate a cir­cu­la­tion bey­ond the con­fi­nes of cen­sure. The art mar­ket has pro­ven once again that it can absorb even the most radi­cal acti­vi­ties into its fra­me­work. Today’s arti­sts have no illu­sions about the sub­ver­sive poten­tial of books. They reach for them for other reasons. This web of cir­cum­stance, bene­fits and deme­rits, along with the incon­si­sten­cies of the medium, is the topic of discussion.

Magda Frankowska – desi­gner, art histo­rian, co-founder of the FONTARTE design stu­dio
Daniel Muzyczuk – cura­tor at the Museum of Art in Łódź, win­ner (with Agnieszka Pindera) of the Igor Zabel com­pe­ti­tion in 2011, AICA mem­ber
Magda Popławska – cura­tor, design cri­tic, foun­der and coor­di­na­tor of the “Texture of Design” (Tekstura desi­gnu) and “Within the Frames of Design” (W ramach desi­gnu) edu­ca­tio­nal series
Agata Szydłowska – art histo­rian, design cri­tic, lec­tu­rer at the School of Form
Honza Zamojski – artist, cura­tor, publisher